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Ultrahigh-Resolution Panoramic Imaging for Format-Agnostic Video Production

机译:超高分辨率全景影像,可用于与格式无关的视频制作

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摘要

It is widely accepted that the emerging concept of immersive media is one of the key technologies for future entertainment. One feature of immersive media is to use large panoramic screens with ultrahigh resolution. This technology requires a completely new production grammar that is not necessarily compatible with conventional production formats. Against this background the paper describes a new approach called format-agnostic production that bridges the gap between different target formats and applications. It does not use fixed numbers of frames, lines and pixels, or even geometry. The philosophy is to merge video signals from different camera sensors with different spatio–temporal resolutions and dynamic ranges to a wide-angle panoramic view of the scene. Hence, to support a wide range of applications from mobile devices to immersive media, any desired shot framing and resolution can be obtained by scanning, panning, or zooming. Apart from a general description of the concept and the system architecture, the paper will mainly focus on technical details of ultrahigh-resolution panoramic imaging which plays a central role in the concept of format-agnostic production.
机译:沉浸式媒体的新兴概念是未来娱乐的关键技术之一,这已被广泛接受。沉浸式媒体的一项功能是使用超高分辨率的大型全景屏幕。该技术需要全新的生产语法,该语法不一定与常规生产格式兼容。在此背景下,本文介绍了一种称为格式无关生产的新方法,该方法可缩小不同目标格式和应用程序之间的差距。它不使用固定数量的框架,线条和像素,甚至几何图形。其理念是将来自具有不同时空分辨率和动态范围的不同相机传感器的视频信号合并到场景的广角全景中。因此,为了支持从移动设备到沉浸式媒体的广泛应用,可以通过扫描,平移或缩放来获得任何所需的镜头取景和分辨率。除了对概念和系统体系结构的一般描述之外,本文还将主要关注超高分辨率全景成像的技术细节,而超高分辨率全景成像在与格式无关的制作概念中起着至关重要的作用。

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