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Malay/Malaysian/Islamic: four genres of political writings and the postcoloniality of autochthonous texts

机译:马来语/马来西亚语/伊斯兰教:政治文学的四种体裁和本土文本的后殖民时代

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The hardened and circumscribed reality of being Malay in Malaysia is conditioned upon a historical, constitutional, statistical and normative definition of that identity. This essay explores the articulations of these tensions through the shifting, interchangeable and overlapping notion of Malay/Malaysian/Islamic, which represents the idea of race, citizen and religion. It focuses on four genres of Malaysian political ideas which emanate from the notion of “autochthonous texts”. The four texts consist of the writings of Burhanuddin Al-Helmy, Mahathir Mohamad, Ashaari Muhammad and Dina Zaman. Viewed from the lens of postcoloniality, these texts inform us of the variegated processes of identity construction in four moments of Malaysian history, namely, through experimentations within the liminality of “nation”, through the embrace of the teleology of progress, through the reclamation of space for (ir)rational timelessness and through the rapture of decentredness and hybridity. These writings seek the attention of the Malay as their primary constituency and subject-agent. The authors rhetorically and materially confront the strangeness of their modernity by attempting to orientalize, valorize and reconcile their worldviews. As they do so, the authors and their narrations inscribe, reinforce, replicate and reproduce Malayness as a split identity and Malay politics as the polychromatic expression of pathos and power for self-actualization. In fact it is only within these moments of crisis that culture becomes enlivened and the identity of that elusive Malay can take on its 'determined' form.
机译:在马来西亚成为马来人的既硬又受限制的现实取决于该身份的历史,宪法,统计和规范定义。本文通过马来语/马来西亚语/伊斯兰语的变化,可互换和重叠的概念来探讨这些紧张关系的表达方式,该概念代表了种族,公民和宗教的观念。它聚焦于源自“本土文本”概念的四种马来西亚政治思想。这四个文本包括Burhanuddin Al-Helmy,Mahathir Mohamad,Ashaari Muhammad和Dina Zaman的著作。从后殖民主义的角度来看,这些文本告诉我们马来西亚历史四个瞬间的身份建构的各种过程,即通过“民族”的有限性内的实验,通过进步的目的论的拥抱,通过开垦土地而进行的。 (非)理性永恒的空间,以及通过分散性和混合性的狂喜。这些著作寻求马来人的关注,因为他们是他们的主要选区和主体。作者试图通过使自己的世界观实现东方化,物价平衡和和解,在言辞上和物质上面对现代性的陌生感。在这样做的过程中,作者及其叙述刻画,强化,复制和再现了马来人作为分裂的身份,而马来人政治则是悲哀和自我实现能力的多色表达。实际上,只有在危机时刻,文化才能活跃起来,那个难以捉摸的马来人的身份才能采取其“确定的”形式。

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