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Snapshots, or: Visual Culture's Clichés

机译:快照,或:视觉文化的陈词滥调

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Visual culture scholars and historians of photography are looking for new ways to interpret and historicize vernacular snapshot photography, seeking to explain one of snapshot photography's defining characteristics: repetitiveness in form and content. This paper proposes to account for repetition by linking the snapshot to a seemingly unrelated vernacular phenomenon: the cliché. The two phenomena — one visual, the other linguistic — have more in common than at first appears. The genealogies of the cliché — an “expression or idea that has lost its originality or force through overuse” — and the snapshot photograph — “predictable, conservative, and repetitive in both form and content”, go back to the same point of origin: the printing workshops of nineteenth century France, while at the same time presenting a continuation of a pre-modern, oral tradition in which knowledge is transmitted from generation to generation through repetition.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/17540763.2011.593922
机译:视觉文化学者和摄影历史学家正在寻找新的方式来解释和历史化白话快照摄影,试图解释快照摄影的定义特征之一:形式和内容的重复性。本文建议通过将快照与一个看似无关的白话现象联系起来来解决重复问题:陈词滥调。这两种现象–一种视觉,另一种语言–具有比最初出现时更多的共同点。陈词滥调的家谱–一种“表达或观念,由于过度使用而失去了独创性或力量”,而快照照片的形式–在形式和形式上都是可预测的,保守的和重复的内容'',可以追溯到同一起源:19世纪法国的印刷工场,同时展现了前现代口头传统的延续,其中知识通过代代相传而代代相传。全文下载全文相关变量var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布时间:“ ra-4dff56cd6bb1830b” };添加到候选列表链接永久链接http://dx.doi.org/10.1080/17540763.2011.593922

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  • 来源
    《Photographies》 |2011年第2期|p.175-190|共16页
  • 作者

    Lynn Berger;

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  • 正文语种 eng
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