Why Sarus Cranes Epitomize Karunarasa In The Ramayana

摘要

By correlating literary evidence, avian ethology and neurophysiology I will try to demonstrate why VdlmTki chose a pair of Sams Cranes, and not any other avian species, to epitomise grief and sorrow in the Ramayana. This choice illustrates the importance of personal experience of the living reality (behaviour of Sams Cranes); but the grief, soka, as experienced by VdlmTki, became in later critical literature, the rasa of karuna, the aesthetic appreciation of grief as suggested by Anandavardhana and explained by Abhinavagupta. By emphasising the central importance of affective states (sthayibhavas in life as well as in the arts (rasas) Vdlmiki, Abhinavagupta and Anandavardhana appear to have had a perception of the human condition that is consistent with recent developments in affective neuroscience; and thus it is the pitch and the tonal quality of the cries of grief that convey the depth and universality (sadharanatva) of the emotion.