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Content Holders Vs. The Wed: 2008 Us Copyright Law Victories Point To Robust Internet

机译:内容持有者与星期三:2008年美国版权法胜利标志着稳健的互联网

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摘要

The advent of digitalization and the Internet has shaken the foundations of the large recording and filmmaking corporations, whose wealth is measured in the ownership of intellectual property. Technology has simply erased the barriers to entry that once restricted content creation to the few and, in doing so, has eroded their monopoly position. The Big 4 recording companies, once considered necessary to the success of musical artists, are seeing their monopoly position erode as performers now find themselves able to market their music directly to the entire world, either without the use of middlemen at all or by selecting middlemen who are numerous and who must compete for their business. The Big 6 motion picture studios, once considered necessary to the success of film makers, are now on the losing end of a competition with everyday people, many of them teenagers, who are creating user-generated content at a dizzying rate, armed with no more than an inexpensive digital camera, videocam, or even a video-capable cell phone. These budding filmmakers likewise have access to the entire world, and for free.
机译:数字化和互联网的出现动摇了大型唱片公司和电影制作公司的基础,这些公司的财富以知识产权的所有权来衡量。技术只是消除了进入壁垒,而一旦进入壁垒,内容创作就只能局限于少数几个,并且在这种情况下,侵蚀了它们的垄断地位。四大唱片公司曾经被认为是音乐艺术家成功的必要条件,但如今他们的垄断地位正在下降,因为表演者现在发现自己可以将其音乐直接推向全世界,而无需使用中间商或选择中间人谁众多,谁必须为自己的业务而竞争。曾经被认为对电影制片人的成功至关重要的六大电影制片厂现在正处于与日常人群竞争的败局,其中许多是青少年,他们以令人眼花rate乱的速度制作用户生成的内容,却没有武装不只是廉价的数码相机,摄像机,甚至还有具有视频功能的手机。这些崭露头角的电影摄制者同样可以免费进入整个世界。

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