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首页> 外文期刊>Journal of the Audio Engineering Society >From Interactive to Adaptive Mood-Based Music Listening Experiences in Social or Personal Contexts
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From Interactive to Adaptive Mood-Based Music Listening Experiences in Social or Personal Contexts

机译:从社交或个人上下文中的交互式到基于自适应情绪的音乐聆听体验

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摘要

Consumer cultures are increasingly shifting to cultures of participation supported by technology such as social computing. In the domain of interactive audio, listeners' roles are revisited giving more importance to desire, context, and the sense of control. We present new developments in our mood-driven music player Moodplay allowing both social (virtual jukebox) and personal usage. Moodplay relies on semantic computing technologies for musical mood using social tags and informative and aesthetic browsing visualizations. The prototype runs with a dataset of over 10,000 songs covering various genres and arousal and valence levels. Changes in the design of the system were made in response to a user evaluation including over 120 participants from 15 different sectors of work or education. The proposed client/server architecture integrates modular components powered by semantic web technologies and audio content feature extraction. This enables a shift from interactivity to adaptivity where recorded music content can be controlled in flexible and non linear ways.
机译:消费者文化正越来越多地转向由社会计算等技术支持的参与文化。在交互式音频领域,重新审视了听众的角色,从而更加重视愿望,上下文和控制感。我们介绍了情绪驱动音乐播放器Moodplay的新发展,它可以用于社交(虚拟自动点唱机)和个人使用。 Moodplay依靠语义计算技术使用社交标签以及信息丰富和美观的浏览可视化来实现音乐情感。该原型运行的数据集包含10,000多种歌曲,涵盖各种流派以及唤醒和效价水平。响应用户评估,包括来自15个不同工作或教育领域的120多名参与者,对该系统的设计进行了更改。所提出的客户端/服务器体系结构集成了由语义Web技术和音频内容特征提取支持的模块化组件。这使得可以从交互性向适应性转变,在此可以以灵活和非线性的方式控制录制的音乐内容。

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  • 来源
    《Journal of the Audio Engineering Society》 |2016年第9期|673-682|共10页
  • 作者单位

    Centre for Digital Music, School of Electronic Engineering and Computer Science,Queen Mary University of London, London E1 4NS, UK;

    Centre for Digital Music, School of Electronic Engineering and Computer Science,Queen Mary University of London, London E1 4NS, UK;

    Centre for Digital Music, School of Electronic Engineering and Computer Science,Queen Mary University of London, London E1 4NS, UK;

    Centre for Digital Music, School of Electronic Engineering and Computer Science,Queen Mary University of London, London E1 4NS, UK;

    Centre for Digital Music, School of Electronic Engineering and Computer Science,Queen Mary University of London, London E1 4NS, UK;

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