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Mythological Themes in Iranian Culture and Art: Traditional and Contemporary Perspectives

机译:伊朗文化与艺术中的神话主题:传统与当代观点

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摘要

In Iran, ancient mythical elements are very much alive in the present as a part of the fabric of ordinary people's lives and worldview. This paper explores the relationship between culture, myth, and artistic production in contemporary Iran, using the specific examples of symbols and mythological themes evoked in the work of painter/writer Aydin Aghdashloo and photographer/video artist Shirin Neshat. The paintings of Aghdashloo, in which he deliberately damages beautifully-executed classical style Persian miniatures, convey a sense that the angelic forces have failed and that the world is succumbing to the destructive and degenerative activities of the demonic. The photographs, videos and installations of Neshat likewise draw heavily on cultic forms inherited from ancient Iranian tradition. It is important to note that in none of these cases does the artist use mythological themes and symbols to express their original cultural meaning; rather, they appropriate well-known elements of ancient Iranian culture and imbue them with new meanings relevant to contemporary issues and understandings. What these examples do illustrate is the persistent resonance of ancient Iranian culture among Iranians up to the present day. Iranian artists have demonstrated the effectiveness of evoking their target audience's deep sense of cultural identity to convey contemporary messages using ancient cultural concepts, sometimes on a subconscious level.
机译:在伊朗,古代神话元素在当今非常活跃,是普通百姓生活和世界观的一部分。本文使用画家/作家艾登·阿格达什洛(Aydin Aghdashloo)和摄影师/录像艺术家Shirin Neshat的作品中出现的符号和神话主题的具体实例,探讨了当代伊朗文化,神话与艺术作品之间的关系。阿格达什洛(Aghdashloo)的绘画故意破坏了精美执行的古典波斯风格的缩影,传达出一种感觉,即天使力量已经失败,世界正在屈服于恶魔的破坏性和退化性活动。 Neshat的照片,录像带和装置同样大量借鉴了源自伊朗古代传统的邪教形式。重要的是要注意,在所有这些情况下,艺术家都没有使用神话主题和符号来表达其原始文化含义;相反,它们采用了伊朗古代文化的著名元素,并赋予它们与当代问题和理解有关的新含义。这些例子确实说明,直到今天,伊朗古代文化仍在不断发生共鸣。伊朗艺术家已经证明了唤起目标受众深厚的文化认同感,从而利用古代文化概念(有时在潜意识层面)传达当代信息的有效性。

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  • 来源
    《Iranian Studies》 |2009年第2期|231-246|共16页
  • 作者

    Manya Saadi-Nejad;

  • 作者单位

    Department of Religion, Concordia University, Montreal, Canada;

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  • 正文语种 eng
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