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THE IMPORTANCE OF BEING LOST

机译:迷失的重要性

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Jack Knight's was not a hero's face. Neither rugged nor square-jawed, it was, rather, overly broad in the forehead and narrow in the chin, somewhat like Fred Astaire's or the famous face on the bridge in the Edvard Munch painting called The Scream. But heroes are as heroes do. Knight was an airmail pilot at the very start of airmail, years before Charles Lindbergh was. President Warren Harding wanted to shut down the airmail, deeming it unduly dangerous and costly, unreliable and not even especially swift, since mail was flown only by day and loaded onto trains at night. The assistant postmaster general in charge of the airmail, Otto Praeger, in a bid to deflect the presidential ax, set out to demonstrate that mail could be flown through the night.
机译:杰克·奈特不是英雄的面孔。它既不粗暴也不下颌,而是在额头上过宽而在下巴上过窄,有点像弗雷德·阿斯泰尔(Fred Astaire)的肖像或爱德华·蒙克(Edvard Munch)画中著名的脸庞,叫作《尖叫》(The Scream)。但是英雄就像英雄一样。在查尔斯·林德伯格(Charles Lindbergh)登基之前的数年中,奈特(Knight)就是航空飞行员。沃伦·哈丁(Warren Harding)总统想关闭航空邮件,认为这是过分危险的,昂贵的,不可靠的,甚至没有特别迅速,因为航空邮件只在白天飞行,而在晚上却装在火车上。负责航空邮件的助理邮政局长奥托·普拉格(Otto Praeger)为了偏转总统斧头,着手证明邮件可以通宵达旦。

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  • 来源
    《Flying》 |2014年第7期|9496-97|共3页
  • 作者

    PETER GARRISON;

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