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首页> 外文期刊>Enterprise and Society >The Creative Destruction of the Chicago River Harbor: Spatial and Environmental Dimensions of Industrial Capitalism, 1881–1909
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The Creative Destruction of the Chicago River Harbor: Spatial and Environmental Dimensions of Industrial Capitalism, 1881–1909

机译:芝加哥河港的创意破坏:1881-1909年工业资本主义的空间和环境维度

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摘要

This essay examines the implications of rapid technological and economic change, or what economist Joseph Schumpeter called “creative destruction,” for the urban environment. Taking the Chicago River Harbor as a case study, it argues that industrial capitalism was marked by fundamental spatial and environmental contradictions that resulted in the frequent destruction and reinvention of urban landscapes. The essay shows how transformations in the Great Lakes shipping industry and the rise of the steel industry rendered Chicago River Harbor infrastructure obsolete. That obsolescence, in turn, sparked a public debate over whether the port should be retrofitted or if the river should be harnessed for different uses. So many stakeholders—streetcar companies, commuters, City Beautiful advocates, and sanitary engineers—had conflicting ideas about the use of the river that it was practically impossible to retrofit the port. The resulting decline of industrial freight traffic on the Chicago River enabled urban planner Daniel Burnham to reinvent the riverfront as a site of leisure and consumption.
机译:本文探讨了快速的技术和经济变化或经济学家约瑟夫·熊彼特(Joseph Schumpeter)所谓的“创造性破坏”对城市环境的影响。以芝加哥河港为例,它认为工业资本主义的特征是根本的空间和环境矛盾,导致了对城市景观的频繁破坏和重塑。这篇文章展示了大湖区航运业的转型和钢铁业的兴起如何使芝加哥河港基础设施过时。反过来,这种过时问题引发了关于是否应该对港口进行翻新或是否应利用河流进行不同用途的公开辩论。如此众多的利益相关者,包括有轨电车公司,通勤者,City Beautiful倡导者和卫生工程师,对于河流的使用存在着相互矛盾的想法,因此几乎不可能对港口进行改造。结果,芝加哥河上的工业货运量下降,使得城市规划师丹尼尔·伯纳姆(Daniel Burnham)将河滨重塑为休闲和消费的场所。

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