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首页> 外文期刊>Museum and Society >Wag(er)ing Histories, Staking Territories: Exhibiting Sovereignty in Native America
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Wag(er)ing Histories, Staking Territories: Exhibiting Sovereignty in Native America

机译:摇摇欲坠的历史,置身于领土:在美洲原住民国家展示主权

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Based on research carried out in 2009¨C2010, this article suggests that gamingrevenues created new possibilities for Native peoples to take control of their ownpublic histories as expressions of cultural and political sovereignty. It recognizesmuseums and cultural centers as parallel spaces for cultural self-representation.Casino-generated funds allow many tribal nations to create or expand existingexhibitionary spaces for repatriated objects?aincluding museums, casinos,resorts, and public attractions?athat publicly articulate stories about history,identity, and the practice(s) of sovereignty. Seemingly disparate spaces?acasinos thematic and generic, museums old and new, garden and memorialsites, village greens and hotel lobbies?acan best be understood as an array ofresponses to the challenges of articulating Native identities to mostly non-Nativepublics. Such sites exemplify particular strategies of Native curation in a varietyof spaces actively shaped for public attention
机译:根据2009年至2010年的研究结果,本文认为,博彩收入为土著人民创造了新的可能性,使他们能够控制自己的公共历史,以表达文化和政治主权。它承认博物馆和文化中心是文化自我代表的平行空间。赌场筹集的资金使许多部落国家可以为遣返对象创建或扩展现有的展览空间(包括博物馆,赌场,度假胜地和公共景点),以公开表达有关历史,身份和主权实践。似乎是完全不同的空间,例如acasinos的主题和通用,旧博物馆和新博物馆,花园和纪念馆,乡村绿地和酒店大堂,可以最好地理解为对大多数非本地居民表达土著身份挑战的一系列回应。这些网站体现了在积极引起公众关注的各种空间中进行本地策展的特殊策略

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