...
【24h】

Book Reviews

机译:书评

获取原文
           

摘要

The title Grand Designs echoes A Grand Design (Baker and Richardson 1997; 1999), the self-published history of the Victoria & Albert Museum (V&A). Whether this is a deliberate reference,or not, in this volume, Lara Kriegel ¨C Associate Professor of History at Florida InternationalUniversity ¨C offers new perspectives on the role of design, designers and the labouring classesin the early development of the predecessors of that august institution. In charting the transitionfrom the School of Design to the South Kensington Museum, Kriegel places an emphasis onthe South Kensington Museum's invention as a receptacle of superior craftsmanship, conceivedto elevate British manufacturing from the (perceived) doldrums; so far, so familiar. But whatmakes Kriegel's approach here distinct from other narratives of the V&A's historical development,is her argument that 'Rather than sprouting from barren soil, [?-] the museum evolved out of aculture concerned with market reform and artisanal education' (pp 196-7). A quick survey of theliterature available, suggests that this is a story largely absent from the scholarly record.Righting this omission in what Kriegel calls the 'prehistory of the Victoria and Albert Museum'(p. 2) thus provides a compelling justification for the book
机译:大设计的名称呼应维多利亚和阿尔伯特博物馆(V&A)自行出版的历史《大设计》(贝克和理查森,1997年; 1999年)。无论是故意参考还是无效参考,佛罗里达国际大学历史副教授拉拉·克里格(Lara Kriegel)都为设计,设计师和劳动阶级在八月前辈的早期发展中的作用提供了新观点。机构。在说明从设计学院到南肯辛顿博物馆的过渡时,克里格强调南肯辛顿博物馆的发明是卓越工艺的容器,其构思是使英国制造业摆脱(低迷)低迷状态。到目前为止,如此熟悉。但是,使克里格在这里的做法与V&A历史发展的其他叙述截然不同的原因是,她的论点是:“博物馆不是从贫瘠的土壤中萌芽,而是从与市场改革和手工教育有关的文化中发展而来”(第196-7页)。对现有文献的快速调查表明,这是学术记录中基本上没有的故事,纠正了Kriegel所说的``维多利亚和阿尔伯特博物馆的史前史''(第2页)中的这一遗漏,因此为该书提供了令人信服的理由

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号