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The Art and Politics of Statues Representing “Leaders”: A Case Study

机译:代表“领导者”的雕像的艺术和政治:一个案例研究

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摘要

There are two main themes in this case study of sculpture, aesthetics, and politics. First, from the viewpoint of artistic quality, the article discusses various failed features of the recent (2018) bronze statue in Belgrade of Patriarch Pavle of the Serbs (1914-2009), the prominent and widely revered head of the Serbian Orthodox Church: The work’s hugely inadequate balance, pose, location, workmanship, and others. Second, the article critically describes the long-term and current political forces that constitute the social background of the design, location, and other aspects of the statue. Some of these influences are unique to Serbia in the period 1980-2018; others seem to be shared by several countries in Europe that are considered “transitional” from communism to neo-liberal capitalism.
机译:在这个关于雕塑,美学和政治的案例研究中,有两个主要主题。首先,从艺术品质的角度出发,本文讨论了最近(2018年)在塞尔维亚族长帕夫勒的贝尔格莱德的青铜雕像(1914-2009年)的各种失败特征,塞尔维亚东正教教堂的着名头目广受尊敬:作品在平衡,姿势,位置,工艺等方面严重不足。其次,本文批判性地描述了构成雕像设计,位置和其他方面的社会背景的长期和当前的政治力量。其中一些影响是塞尔维亚在1980-2018年期间所独有的;其他一些国家似乎也被欧洲的几个国家所共有,这些国家被认为是从共产主义向新自由资本主义的“过渡”。

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