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Design for Sensory Reality: From Visuality to Existential Experience

机译:感官现实设计:从既伐地到存在体验

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摘要

Architecture has been regarded, theorised, taught and practised primarily as a visual discipline, and consequently, environments and buildings are developed through visual images, means and representations. However, regardless of the historical dominance of vision, architecture is essentially an art form of all the senses in interaction. Our experiential sense of reality calls for the interplay of the senses. Fused into a unified experience, these sensations give rise to a multisensory experience of reality. 'My perception is not a sum of visual, tactile and audible givens: I perceive in a total way with my whole being: I grasp a unique structure of the thing, a unique way of being, which speaks to all my senses at once,' Maurice Merleau-Ponty observes. Only this fully integrated experience can project the veracity of the real.
机译:建筑已经被认为,理论,教导和实践,主要是视觉学科,因此,通过视觉图像,手段和表示来开发环境和建筑物。然而,无论愿景的历史主导,架构基本上是互动中所有感官的艺术形式。我们的经验意识意义要求对感官的相互作用。融合成统一的经验,这些感觉引起了现实的多思考体验。 “我的感知不是视觉,触觉和可听的Givens的总和:我完全看着我的整体:我掌握了一个独特的事情的结构,一种独特的现象,它立即与我所有的感官说话, 'Maurice Merleau-Ponty观察。只有这种完全综合的经验只能将真实的真实性投影。

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