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首页> 外文期刊>Architectural Design >ABSTRACTION AND INFORMALITY GENERATE A NEW AESTHETIC: AN INTERVIEW WITH KAZUYO SEJIMA
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ABSTRACTION AND INFORMALITY GENERATE A NEW AESTHETIC: AN INTERVIEW WITH KAZUYO SEJIMA

机译:抽象和非正式性产生新的审美:与Kazuyo Sejima采访

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摘要

Most people familiar with their work see beauty in SANAA's architecture. The design approach of theTokyo-based practice, whose founding partners Kazuyo Sejima and Ryue Nishizawa also work in parallel on personal projects for their own clients, is clearly led by a conscious ambition to achieve a new aesthetic. An aesthetic that combines space and nature fluidly, and that does not determine how people use their buildings. This informality changes the way in which people interact with internal spaces, with nature and with other people. Surprisingly, the creative brilliance and ambition of SANAA's design processes have been undervalued by some Western architects, who see them as naive or innocent. This is perhaps attributable to a cultural bias that over-intellectualises the design process, which in turn undermines the role of visual thinking as the leading generative force in the architectural design process.
机译:大多数人都熟悉他们的工作,在萨莱的建筑中看到美。基于TheTokyo的实践的设计方法,其创始伙伴Kazuyo Sejima和Ryue Nishizawa在个人项目中并行工作,显然是通过有意识地实现新的审美的野心。将空间和自然流动地结合的美感,这不会确定人们如何使用其建筑物。这种非正式性改变了人们与内部空间与自然和其他人互动的方式。令人惊讶的是,一些西方建筑师的创造性的光彩和萨瓦阿设计进程的野心被一些西方建筑师被认为是天真或无辜的。这可能是归因于识别设计过程的文化偏见,这反过来又破坏了视觉思维作为建筑设计过程中的主要生成力的作用。

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