In 2008, Shi Wei, a Chinese writer based overseas, while rooted where ancient Chinese literary theories and Western theological aesthetics meet, put forward her view about the'Spiritual Literature'(lingxing wenxue), as developed from the'Literature of Spirits'(ling de wenxue), as promoted by Mr Lao She. Subsequently, she produced a range of'Spiritual Literary'texts that more concretely and tangibly capture her thinking on the'Spiritual Literature'and flesh out the theoretical frame of her literary views. On the one hand, instead of writing about such religious themes as'love','confession','redemption' and'sacrifice'in a straightforward manner, she moved to writing about the breakage where individual lives hide and its treatment, reflecting a new trend that is possible in the Christian literature of the 21st century, written in Chinese, and, on the other hand, they have consciously detached themselves from the propaganda literature while paying more attention to what is'human', presenting a dimension of the'spiritual debate', an effort that is worth attaching importance to.%2008年海外华文作家施玮立足于中国古典文论和西方神学美学之间的契合之处,推介"灵性文学",发展了老舍先生所提倡的"灵的文学"的文学观.之后施玮在大陆推出了一系列"灵性文学"文本,它们更为具体可感地体现了施玮对"灵性文学"的思考,丰满了她文学观的理论构架.一方面这些"灵性文学"作者不再直白地书写"爱"、"忏悔"、"救赎"、"牺牲"等这些宗教主题,而是渐渐将笔触及个体生命隐藏处的破碎与医治,体现出21世纪华文基督教文学发展可能出现的新趋势;另一方面他们自觉地脱离宣传文学并加强了对"人"的关注,较好地呈现出了"灵魂论辩"的维度,这方面的努力是值得重视的.
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