论张爱玲香港时期电影剧本的独特性

摘要

Eileen Chang’s film scripts in her Hong Kong period are vastly different not only from her essays and fiction but also from her film scripts in her Shanghai period. In this article, the author discusses the uniqueness of her film scripts in her Hong Kong period by comparing the three aspects of the said scripts, which are the shift from enclosure to openness, the beauty of obtrusiveness and restraint, and the time sense of“geometric points”and of“transience”, in an attempt to delineate another face of hers that remains hidden for many years.%张爱玲香港时期电影剧本与她散文、小说的风格大异其趣，甚至与她上海时期电影剧本也相去甚远，本文从封闭式和开放式、张扬之美和约束之美、“几何点”的时间感和“倏忽”的时间感三个方面，比较论述张爱玲香港时期电影剧本的独特性，试图勾勒出张爱玲隐匿多年的另一副面孔。