“浪冒浪哨”是布依族传承久远的习俗，布依族青年男女通过情歌、社交歌、风俗歌、山歌等对歌形式进行社交活动、谈情说爱、交流感情，集中体现了布依族情感的真实性、创作的即兴性、表现的多样性、内容的纯朴性、形式的格律性等文化内涵和审美追求。对布依族青年男女对歌文化的生存环境、分类特征与文化内涵进行研究，不仅有利于全面展现布依族文化面貌，同时对传承和发展布依族文化，挖掘和发扬中国优秀的民族民间文化，具有深远的意义。%“Lang Mao Lang Shao” is a long-spreading custom for the Bouyei nationality. The young people take all kinds of social activities through love songs, social songs, custom songs and folk songs as well as talking love and emotion exchanges. This communicational means fully embodies the cultural connotation and aesthetic pursuit of the Bouyei emotional authenticity, the impromptu creation, the performance of the diversity, the plain content and the rhythm of proforma. This paper studies the existing environment, the classification features and the cultural connotation for the Bouyei antiphonal culture. It has a profound significance to benefit the exhbition of Bouyei cultural features, as well as the inheritance and development of the Bouyei culture, the excavation and promotion of the Chinese splendid national folk culture.
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