慈恩寺壁画中的唐代宫廷画家创作群体论

摘要

慈恩寺在唐代占据着特殊的地位,寺中壁画多出于当时宫廷的著名匠师,其艺术特征很大程度上可以反映唐代宫廷绘画的艺术成就.文章将参与慈恩寺壁画创作的宫廷画家分为:以阎立本兄弟为代表的少府创作群体,以吴道子为代表的翰林院画家群体,以尉迟乙僧为代表的外来画家群体等三个创作群体来进行考察,探究不同画家群体的形成渊源、艺术特征,以及当时人对他们创作的接受情况.通过这些群体的考察,进一步了解唐代宫廷画家艺术的多元特征.%Ci'en-Buddhist Temple occupied a significant position in the Tang Dynasty, and the murals in this temple were painted by the famous craftsmen from the royal court and reflect the art achievements of painting skills in the royal court in the Tang Dynasty. This article divides the painting groups into three categories, namely, the group of vice-prefect represented by Yan Li-ben and his brother, the group of imperial academy represented by Wu Dao-zi, and the group of foreign artists represented by Yuchi Yi-seng. The probation into the origins, artistic characteristics and the acceptation of these groups can help us know more about the multivariate characteristics of painters from royal court in the Tang Dy-nasty.