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Multi-camera system design, calibration and three-dimensional reconstruction for markerless motion capture.

机译:多摄像机系统设计,校准和三维重建,可实现无标记运动捕捉。

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Recently, significant advances have been made in many sub-areas regarding the problem of markerless human motion capture. However, markerless solutions still tend to introduce major simplifications, especially in early stages of the process, that temper the robustness and the generality of any subsequent modules and, consequently, of the whole application. This thesis concentrates on improving the aspects of multi-camera system design, multi-camera calibration and shape-from-silhouette volumetric reconstruction. In Chapter 3, a thoughtful system analysis is first proposed with the objective of achieving an optimal synchronized multi-camera system. Chapter 4 proposes an easy-to-use multi-camera calibration technique to estimate the relative positioning and orientation of every camera with sub-pixel accuracy. In Chapter 5 a robust shape-from-silhouette algorithm, with precise voxel coloring, is developed. Overall, the proposed framework is successful to reconstruct various 3D human postures and, in particular, complex and self-occlusive pianist postures in real-world (minimally constrained) scenes.
机译:近来,关于无标记人类运动捕捉问题,在许多子领域已经取得了重大进展。但是,无标记解决方案仍然倾向于引入主要的简化,尤其是在该过程的早期阶段,这会削弱任何后续模块的健壮性和通用性,从而削弱整个应用程序的鲁棒性和通用性。本论文着重于改进多摄像机系统设计,多摄像机标定和从轮廓形状到轮廓的体积重建等方面。在第3章中,首先提出了一种有思想的系统分析,目的是实现最佳的同步多摄像机系统。第4章提出了一种易于使用的多摄像机标定技术,以亚像素精度估算每个摄像机的相对位置和方向。在第5章中,开发了一种具有精确体素着色的鲁棒的“轮廓从形状”算法。总体而言,所提出的框架成功地重构了各种3D人的姿势,尤其是在现实世界(最小约束)场景中的复杂且自我遮挡的钢琴演奏者姿势。

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