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The spiritual madrigals of Giovanni Pierluigi da Palestrina.

机译:Giovanni Pierluigi da Palestrina的属灵精神。

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摘要

Giovanni Pierluigi da Palestrina (ca. 1525--1594) composed four cycles of spiritual madrigals consisting of fifty-six individual pieces; three cycles comprise the first book of spiritual madrigals published in 1581 ("Vergine bella," "O Jesu dolce," and "Spirito Santo, Amore"); one long cycle (Priego alla Beata Vergine Maria) was published in 1594 as the second book of spiritual madrigals. They present the combination of a major composer's mature skill with significant poetry. This study offers information that may guide conductors and singers to well-informed performance by placing these works in their social, historical, and musical context, providing musical analysis, discussing the relationship of music and text, and exploring performance practice issues.;The first two chapters include a brief biography of Palestrina and information about important personages in the history and use of the music being studied here. Chapter 1 also presents information about the historical context. Musical context for the composition and performance of these pieces is given in Chapter 2; that chapter also addresses issues of performance practice problems inherent in this repertoire. Chapter 3 includes analysis of the poetic structure, language, and iconography of the poems. This is followed by an analytical discussion (Chapter 4) which examines the presentation and use of modes, how poetic structure informs the musical structure, and other compositional devices. The Conclusion summarizes the study and suggests areas of future investigation. Appendices present the following information in a practical format: a discography, a chronology of important dates and events related to the people and works being examined in this study; texts and translations of all except the Petrarch texts; and texts of Marian litanies and Latin hymns that enhance our understanding of the imagery in the spiritual madrigals.
机译:乔瓦尼·皮耶鲁吉·达·帕莱斯特里纳(Giovanni Pierluigi da Palestrina,约1525--1594年)组成了四批属灵的道德牧民,包括五十六个独立的部分。这三个周期包括1581年出版的第一本关于精神道德的书(“ Vergine bella”,“ O Jesu dolce”和“ Spirito Santo,Amore”);一个长周期的书(《普列戈·阿拉·比塔·韦尔吉娜·玛丽亚》)于1594年出版,是第二本属灵的牧民。他们展现了主要作曲家的成熟技巧与出色的诗歌的结合。这项研究通过将这些作品置于其社会,历史和音乐背景下,提供音乐分析,讨论音乐与文字的关系以及探索表演实践问题来提供信息,从而指导指挥者和歌手取得知情的表演。其中两章包括巴勒斯坦历史的简要传记,以及有关此处研究的音乐的历史和使用方面的重要人物的信息。第1章还介绍了有关历史背景的信息。这些作品的创作和演奏的音乐背景在第二章中给出。该章还讨论了该曲目中固有的绩效实践问题。第三章包括对诗歌的诗意结构,语言和意象的分析。接下来是分析性讨论(第4章),其中讨论了模式的表示形式和使用,诗歌结构如何告知音乐结构以及其他构图手段。结论总结了研究并提出了未来研究的领域。附录以实用的格式提供了以下信息:唱片,与本研究中所研究的人物和作品有关的重要日期和事件的年代表;除彼得拉克文本外的所有文本和翻译;以及玛丽安(Marian)礼拜堂和拉丁赞美诗的文字,这些文字加深了我们对属灵的婚姻中的意象的理解。

著录项

  • 作者

    Nielsen, Karen Shirley.;

  • 作者单位

    University of Illinois at Urbana-Champaign.;

  • 授予单位 University of Illinois at Urbana-Champaign.;
  • 学科 Music.;Education Secondary.
  • 学位 D.M.A.
  • 年度 1999
  • 页码 243 p.
  • 总页数 243
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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