The exodus of the circassians from the caucasus: About unknown manuscripts of Sh. Kuba plays

摘要

The article is devoted to the problem of artistic solution of the “makhadzhirstvo” subject in the literature of the Circassian émigré community. In addition to the analysis of the dramatic conflict and its embodiment in this work, we also consider the language and specific speech of the characters; we also reveal features of artistic realization of historical events and destinies, etc. It should be noted, that in the considered work Kuba Shaban used the texts of lamentation songs of his own composition, as a peculiar background of the considered tragic pages of Circassians history, where he uses pleonasms as a stylistic means of the image. The work is investigated with the account of the spirit of the time of its creation.